Rating: 4 Stars
The last book I read that
was as exciting as James Clavell’s ‘Shogun’ was…well, it was that other Clavell
book I read. Like Tai-Pan, this book is also inspired by historical events. The story’s protagonist is based on
an English navigator,William Adams, who became a trusted advisor to the
17th. Century Shogun, Tokugawa Ieyasu.
At the start of the
seventeenth century, John Blackthorn, the English Pilot-Major of the Dutch
ship, the ‘Erasmus’ finds himself and his surviving crew run aground on
Japanese shores. While Blackthorn finds himself desperately trying to succor
assistance from his hosts, he has to keep at bay the Portuguese merchant
marines who have already carved a niche in trading with Japan, and will jealously guard
their hegemony at all costs. Adding to the complications, Blackthorn has to rely
on the interpreting skills of fanatical Jesuit priests, the rare few Europeans
who have learnt the Japanese language in their self-anointed mission to convert
the heathens of the world to the Catholic faith.
The Japanese daimyos (feudal lords) and the samurai warriors Blackthorn encounters
are little impressed with Western claims to empire-building. They are however
very interested in the concept of naval warfare and how it could tip the
balance in their favor in their own power struggles. It is either the Europeans’
rotten luck or golden opportunity, depending on how you look at it, that they
become embroiled in a game of thrones where many heads will roll before the
outcome is settled.
Clavell is a master
story-teller. I’ve not come across many other writers who have his unique
combination of sophisticated plot, intelligent synthesis of history and
fiction, engaging characterization, and blood-tingling action. But reader
beware, ‘Shogun’ is no easy-reading treat. It’s neither for the faint-hearted,
nor for those with attention-deficit handicaps. There are stomach-turning
descriptions of violence; and countless names, vendettas, and historical events
to keep in mind. The book is marginally excellent and would have been more so,
if Clavell had trimmed it by a third and provided a glossary for reference.
It’s saying a lot that despite these flaws, ‘Shogun’ stands head and shoulders
above much of contemporary fiction.
‘Civilization’ is after only a matter of
perspective. Blackthorn may be confounded by the Japanese alacrity to shed
blood at the least provocation; the Japanese are puzzled by the sectarian
differences within the Christian religion, and by much of Christian theology.
Each race is understandably horrified and disgusted by the cuisine and sanitation
habits of the other. But in the end, as in Tai-Pan,
here too, Clavell proves dear old Kipling wrong – East and West shall meet, and it is their mutual
destiny to be repelled, fascinated, and ultimately enriched by the contact.
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