I'd rather
have the thought of you
To hold against my heart,
My spirit to be taught of you
With west winds blowing,
Than all the warm caresses
Of another love's bestowing,
Or all the glories of the world
In which you had no part.
I'd rather have the theme of you
To thread my nights and days,
I'd rather have the dream of you
With faint stars glowing,
I'd rather have the want of you,
The rich, elusive taunt of you
Forever and forever and forever unconfessed
Than claim the alien comfort
Of any other's breast.
O lover! O my lover,
That this should come to me!
I'd rather have the hope for you,
Ah, Love, I'd rather grope for you
Within the great abyss
Than claim another's kiss --
Alone I'd rather go my way
Throughout eternity.
My spirit to be taught of you
With west winds blowing,
Than all the warm caresses
Of another love's bestowing,
Or all the glories of the world
In which you had no part.
I'd rather have the theme of you
To thread my nights and days,
I'd rather have the dream of you
With faint stars glowing,
I'd rather have the want of you,
The rich, elusive taunt of you
Forever and forever and forever unconfessed
Than claim the alien comfort
Of any other's breast.
O lover! O my lover,
That this should come to me!
I'd rather have the hope for you,
Ah, Love, I'd rather grope for you
Within the great abyss
Than claim another's kiss --
Alone I'd rather go my way
Throughout eternity.
Some thoughts…
On the poet:
Angela Morgan (1875-1957) was an American poet who worked as a journalist in
Chicago and New York. On her beat she covered court cases, interviews, and
topics of a social or human interest nature. Her first book of poetry, The Hour has Struck, was published in
1914.
On this poem:
Perhaps it’s the masochist in us that finds poetry of unfulfilled love
appealing. There must be an exquisite agony that the object of one’s affections
either will not, or cannot, reciprocate one’s feelings.
I'd rather
have the thought of you…
I'd rather
have the theme of you…
I'd rather
have the dream of you…
I'd rather
have the want of you…
So,
nothing substantial then; she’s not going to settle for anything messy or real
or unpretty. Oh, well.
Forever
and forever and forever unconfessed
Unconfessed…Unconfessed?
WAIT A
MINUTE! She hasn’t even made a single move to realizing the dream, the theme
etc. etc. What the hell’s wrong with her?!!? She’d prefer to mope around,
marinating in thoughts of impossible romance, and bravely go her lonesome way
throughout eternity. Martyrs mostly send the wrong message to posterity; and martyrs
in love are positively annoying.
Buuuut…it’s
her Choice. And I’m all for women having choices. So, there’s that.
Why,
though? I mean, why leave unuttered this great heaving, throbbing amour that
scorns another’s caress or, even all the glories of the world?
Perhaps,
‘Lover’ is already spoken for? Either show honorableness, or, play by the policy
that all is fair in love and war. That’s a choice, I guess.
What if
it’s a variety of love that dare not say its name? Either to thine own self be
true, or bow to society’s tyranny and vengeful retribution. There’s another
choice. And a tough one at that.
What if
Lover is sailing the seven seas with either Adventure as their only mistress,
or a gal in every port? What if Lover is a celibate priest, monk, or hermit? What
if Lover has nobly dedicated self to a higher cause and is impermeable to emotional
distractions?
Hmmm…on
second thoughts, the narrator/poet might have any number of solid reasons to
stay silent about her feelings. That might even be a wise choice under some
circumstances, I suppose.
In fact, I
can think of only one instance where her decision could be wrong – if the only
thing holding her back is the fear that when Lover chooses, it won’t be her. And
you know what they say – faint heart never won fair gentleman. Or, something along
those lines.
On a personal note:
I hope,
Readers, that none of you are under any similar compulsion to let your love go
unconfessed. Happy Valentine’s Day.
1 comment:
I have actually chosen this poem for my assignment and sadly I relate a lot with this poem.
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