[Trans. by John Brownjohn]
Rating: 3 & ½ Stars
Auntie Poldi is newly
transplanted to Sicily from her native Munich. Despondent from the recent death
of her husband and several financial setbacks, Poldi has decided to drink
herself to death. And she has chosen Sicily as the perfect backdrop for her
demise. The mystery begins when her young handyman is found with his face
nearly blown apart by an old mafia-style weapon. The only problem is that there
aren’t any Mafiosi in Giordano’s
modern Sicily. But even if there were, Poldi is not the kind of woman to back
down from them.
Auntie Poldi is an
unconventional detective by any consideration. A grieving widow with a lust for
life and a weakness for handsome policemen, she lurches around Sicily in a
regularly inebriated condition. Still, she always has enough clarity to ask the
right questions; and the chutzpah to bother the wrong kind of people with her
relentless demands for answers. Grief and depression always loom in the background of
her mind. Nevertheless, Poldi has a vitality that has her greeting life with
her usual, “Namaste!”
Perhaps like me, you
too have bought into the clichés about Italy and the Italian people – their joie
de vivre, love of famila, love of
food, their dramatic flair, and, the
ardor of their romantic affairs. Well, make no mistake about it; this book
continues to perpetuate all those stereotypes. Reading this novel has left me
craving marzipan, and Sicilian style almond-milk.
Poldi
is assisted in her investigations by her quartet of helpful in-laws; and her
sounding board is her nephew who is wrestling with himself to conjure up a
literary masterpiece that seems a strange hybrid of ‘One Hundred Years of
Solitude’ and ‘Odyssey’. This nephew also does double-duty as the first-person
narrator of this novel – an unwieldy and needless technical device. The climax is unabashedly deus ex machina. But these minor flaws
aside, the book is an undemanding charmer; its most winsome attribute being
its eccentric, loveable heroine. Namaste, Poldi!
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